When making acoustic guitars binding is much more important than on most electrics. These small strips of wood, abalone or other materials are used to hide the joints between the tops and sides. In addition they serve as an added level of strength in these joints.
On a solid body guitar binding really just adds to the aesthetics. In my case the “binding” was used as an inlay to achieve the ultimate design concept. I set out to make a custom guitar that looked like a “trademark” that my son had used on some artwork and schoolwork.
Cutting the rabbet for the binding in my case was primarily accomplished using a trimmer/router with a fence attached. However, as you can note in the picture below to continue the inlay into the body of the guitar, and up to the neck, I also used a dremel and a couple of chisels.
The yellow handled chisel had to be custom ground to a very narrow width to facilitate the narrow channels.
Once the rabbets and channels were cut it was a simple matter of adding a thin layer of glue and taping the binding in place until cured.
At this stage the guitar simply needed a little sanding and prep for finishing.


